Some people are naturally gifted musicians. I'm not one of them. I do consider myself a professional, but I'm far from one of the best players getting work out there. I established my fairly successful, albeit modest career as a classical musician with a great amount of passion and good old fashioned hard work.
It took a lot of years of frustration and self-criticism to sort out that performing just isn't my forte, but in the process, I've come to acknowledge the countless opportunities I had to develop other skills and natural-born talents that I do possess as an arts administrator and teacher. As I've said before, taking even a small part in enabling a young person to follow her dreams is so much more fulfilling than it ever was pursuing my own - which bears the question of whether being a professional flutist was ever a dream of mine in the first place...
When I was recently invited to audition for a permanent position in one of the area's regional orchestras, I found myself asking myself that question yet again. As a primarily free-lance musician, the idea of a regular gig playing with many of my colleagues was really appealing. But I confess I also had the same thought I always have when I've auditioned for every other orchestra job since college: "Maybe I'll finally prove that I can do this." Not exactly "dream" language, now is it? But I pulled out the audition excerpts and spent several days whittling away at the notes anyway, and the age-old joy-sucking anxiety and self-doubt came right out with them. I said to my beau, "I hate playing these excerpts...I hated playing them 20 years ago, and I hate playing them now."
In my job as an admissions counselor for some of the next generation of professional musicians, I frequently tell prospective students who are uncertain about pursuing a career in music, "If you can follow what you're passionate about and figure out what you're good at in the process, you'll find your way to a successful career." If I take an honest look at that journey, I seem to have done just that. I really don't need that regular gig to call myself a professional musician. I already am, and I go to work nearly every day loving every aspect of what I do. I'd call that success. You might even say I'm already living my dream, and I'd be inclined to agree.
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